My practice moves between choreography, drawing, installation, and stage direction.

I work with repetition, accumulation, and transformation as compositional tools. Across different forms, I am interested in how simple actions—repeated over time—can gradually alter perception, space, and the relationship between bodies.

Movement is at the center of my work, but choreography for me is not limited to dance. I approach choreography as a spatial and relational system: a way of organizing attention, rhythm, proximity, tension, and collective presence.

My projects often begin from minimal structures: a repeated gesture, a drawing process, a physical task, or an interaction with materials such as paper, writing, or sound. Through duration and repetition, these elements slowly shift state and generate larger emotional or spatial environments.

I am drawn to moments where meaning remains open—where an image, gesture, or action can hold multiple emotional readings simultaneously. Rather than constructing fixed narratives, I try to create spaces where perception can move freely between memory, physical presence, and imagination.

My background in ballet, opera, and institutional production environments continues to influence my work through precision, rhythm, and large-scale spatial thinking, while my visual practice allows for a more direct and fragile relationship to process and material.

Whether working on stage, in participatory contexts, or through installation, I am interested in how bodies and spaces continuously reshape one another, and how repetition can transform something familiar into something unstable, intimate, or unknown.